9/21/2023 0 Comments Omnibus julio cortazar analisis![]() It is ironic that "Axolotl"'s narrator uses the phrase "no transition" when Cortázar actually does spend about a page of the relatively short story describing the transitionary moment, and the entire story is devoted to exploring the question of why this transition occurred in the first place. Then my face drew back and I understood" (8). ![]() No transition and no surprise, I saw my face against the glass, I saw it on the outside of the tank, I saw it on the other side of the glass. I saw from very close up the face of an axolotl immobile next to the glass. In the first story of the collection, "Axolotl," the moment of transition is prefaced with the ongoing understatement that "nothing strange" had happened, and the narrator describes how "y face was pressed against the glass of the aquarium, my eyes were attempting once more to penetrate the mystery of those eyes of gold without iris, without pupil. Where some authors, when introducing a "switch" or "twist," rush the actual moment of transition, Cortázar thrives in these moments and dwells there, tending not to shy away from describing the psychological and metaphysical character of the switch. ![]() A common theme across several of Cortázar's stories in Blow-Up and Other Stories concerns climactic moments of transition or a climactic "switch" that reframes the narrative and forces the reader to revise their first impressions of the plot and/or characters of the story in question. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |